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Interview with jazz-infused R&B band Salomea

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Flying Lotus, TOKiMONSTA, Salomea
Flying Lotus, TOKiMONSTA, Salomea

Image: florianfriesmusic

Fronted by vocalist Rebekka Salomea, and consisting of band members Yannis Anft (keys), Oliver Lutz (bass), Leif Berger (Drums) Salomea is a melting pot of potential with every release. They have performed at noteworthy festivals like MOERS FESTIVAL (Germany) and the Jazzablanca (Morocco) to mention a few. Singer Rebekka decided to embark on a creative collaboration in the form of an EP titled Conversations which showcases a mixed media visual experience. The EP was unveiled with high-fashion music videos and photography. The overall concept was female creatives supporting each other and celebrating women. 

We chatted with Rebekka, who sheds light on the music industry and announces more live performances for 2022. 

Looking back, what were some of your earliest entries into music appreciation? And music production?

I grew up surrounded by music. When I wasn’t practising, my mother would always listen to the radio or CDs. So from early on, there was Billie Holiday, Barbara Streisand, Joni Mitchell, Mozart, and Telemann. When I started singing lessons at around age 15 I would recognize some of the standards from home. And I loved musicals as a kid. For the longest time, I wanted to become an actress. I loved being on stage and performing. But it wasn’t until later that I really acknowledged how deep my musical understanding could go and what it felt like to have my own opinion and taste, then to express it with my own music. 

When I started the Conversations project earlier this year, that was also a crucial moment for me. It helped me realize how producing my own music would give me freedom and the opportunity to be precise and experiment until I found what I was looking for. At the same time, professional music producers have years and years of experience which is necessary to master a craft. I have a huge amount of respect for that and want to thank and shout out to friends and pioneers like Ludwig Wandinger, yannis anft, Flying Lotus, SOPHIE, Ray Lozano, Salami Rose Joe Louis, Solange, Genevieve Artadi, JPEGMAFIA, Gianni Brezzo, and oh.no.ty!

Take us through your list of dream software/gear you would like to get?

The only thing I’m really dreaming of right now is to never record vocals with any other mic than the SIEMENS SM204 (which is the same as the AKG C12). To be quite precise – add the handmade CK12 “brass” capsule. – Thanks Ty for the nerd knowledge. Thanks Echoschall for actually having that!

Honestly though, the best gear in the world is worthless without people, who know how to handle it.

What do you need with you when you sit down to write or produce?

Time. Solitude. Space. Vibe. Patience. Focus. Discipline. A loving mindset, free of judgement. At least for a while. Trust. Paper & pens. Piano or other keys. Ableton. I like to write standing and walking actually. Lots of lyrics have come to me on walks, so I need my phone to record or type out ideas.

Studio work and music creation or performing and interacting with a live audience, what do you prefer?

I can’t compare the two. They are completely different processes and require totally different mindsets. I love both forms of working. These days performing live and interacting with an audience is rare and I really miss that. There’s a part of me that needs the adrenaline, excitement, and “now-or-never” attitude, and some kind of a response to a shared experience by real people. Also, it allows me to reach certain places, vocally & emotionally, that I don’t usually reach otherwise. The way of expression is more explosive, intuitive, spontaneous, energetic, loud, sometimes aggressive. There’s a lot of interaction with my band and we love and trust each other. Every show is unique and can turn out differently. 

On the other hand, in the studio, I reach places that are harder for me to reach on stage. It’s usually a place for my introverted, soft, sensual, low, vulnerable side. I guess the one cannot go without the other for me personally.

What has been the most memorable moment of your career so far?

Our most recent shows at KLAENG Festival, Cologne, and at Huxleys. Berlin was more powerful than anything we have done live so far. Performing the Conversations project on stage, incorporating samples from the podcasts, and sharing that story live is really beautiful and meaningful to me. 

Other than that: opening for KNOWER in Cologne was rad, to put it in their words. Our trip to Casablanca was unreal. Avignon was a great experience, for us as a band.

Name 3 artists you would love to collaborate with in the future

JPEGMAFIA, Tierra Whack, Flying Lotus.

Do you think music should provide social commentary and reflect the current world?

I find it hard to answer with a general yes to this question. I think music and artists have the power to make statements, to influence others, to educate, to speak up about injustices if that’s an intrinsic desire and comes from the heart. Fame comes with responsibilities, in my opinion. The more followers people have the more influential they can be. But I honestly don’t know how to feel about the trend of having public political opinions. Maybe some things better are commented on by experts, not celebrities. 

I understand music as an art form and am obsessed with details and nuances, which the world itself is full of! I personally admire people who are capable of integrating a sincere, precise message into a good song. And then some of my favorite songs are about the most trivial things.

What can we expect from you in the near future? Any upcoming projects or gigs in the pipeline that you would like to tell us about?

Sadly, our tour had to be canceled due to the current situation in Germany. But Yannis, Oli, Leif and I are going to the studio, recording some new music and spending time making plans. And we will give songwriting together a shot. We’ve never done that – so I’m excited to see how that works out. And I need to regenerate and reflect on the past year. So much has happened and Conversations has really changed my view on what I and we are capable of creating. 

But yes – catch us live in Berlin at XJAZZ on May 5, 2022!

One last thought to leave your fans with?

The closer we get to really knowing and being ourselves, the more real life feels. The more wholesome the experience. And the more it hurts. But I truly believe it’s worth it. Be it a therapist, a friend, or a stranger – having conversations, listening, and opening up to others, can make real changes. I want to thank everyone for joining us on this trip and for supporting us, with all the changes and experiments we’re going through.

EP track ‘Umami & Lime’ features on the Spotify playlist JAZZ_GROUND.FM

Follow Salomea:

Facebook / Instagram / Spotify

Edgy pop singer Saya shares song ‘Death Of Me’

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Billie Eilish, Halsey, Saya
Billie Eilish, Halsey, Saya

Photo Cred: Nelson Huang

Toronto’s resident alternative popstar Saya returns with “Death of Me,” the second single off her upcoming EP READY TO BURN, due out next year. “Death of Me” is an intoxicating Billie Eilish-esque sultry dark dancefloor anthem with a simmering alt-pop flow. This second single picks up right where her last single “SICK” left off, setting the foundation for the theme of the EP. The track is about unresolved attraction and lingering tension after a breakup, resulting in a powerful, sultry, pulsing dark pop banger that showcases Saya’s knack for writing infectious hooks. The samples and beats come together to create this sensation of spiralling, which perfectly complement the lyrics about a breakup. Layered over pulsing beats and pristine electro-pop production, Saya’s addictive lyrics explore the emotions of frustration, vulnerability, pain, and desire.

Variance premiered the track, and praised it for its “simmering” and “sultry” nature. Additionally, METAL Magazine shared an in-depth interview with Saya alongside exclusive editorial photos that are a must see. In the interview, Saya shares the inspiration of the EP and dives deeper into the narratives and her experience writing the record.

After parting ways with a major label, music became a challenge for Saya, feeling discouraged and uninspired. After a year of trial and error, taking time to herself, finding a new producer (Damian Birdsey), and teaming up with long-time friend/writing partner Alexandra Soumalias, the lead single “SICK” was created and her love for creating was reignited. Her EP sees Saya‘s triumphantly returning to music and more confident than ever. READY TO BURN is due out 2022 and continues the themes of Saya reclaiming her power, pushing the boundaries of genre, and breaking out of the projections previously placed upon her. After everything she’s been through, one thing remains clear: Saya is here to stay.

Follow Saya:


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EXCLUSIVE INTERVIEW: We catch up with renowned Toronto trio KEYS N KRATES

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Keys N Krates, Kaytranada, Mura Masa and Flying Lotus

Keys N Krates need no introduction. The Toronto-based trio have become renowned for their idiosyncratic style, merging bass, trap, hip-hop, 808s, organic sounds,  vocal samples into a cerebral melting pot of styles.

They’ve been on the scene since 2018, going from strength to strength and have now released their latest project, a thirteen track EP featuring inspiring collaborations and exciting new experimentations with sound – Original Classic.

Stream / Download: Original Classic LP

Alongside the release is a visual album version by Sammy Rawal, which consists of a vibrant psychedelic video for each track, featuring models and ballroom dancers.

Watch:

We pinned down Keys N Krates’ Jr Flo during their North American tour, for some insight into the new release:

Original Classic is a diverse album featuring interesting collabs and varied styles. Do you have a favorite track on the album – what shouldn’t fans sleep on and why?

We honestly love all the songs on there and our favourites change by the day according to our personal moods.  It’s a great listen and it’ll make you feel things.  It’s dramatic but fun at the same time.  It’s a whole universe of sounds and stuff that we like coming through our lense and we’re so proud of it.  It’s a very unique project within the realm of dance music and we honestly feel like it pulls a lot of people into dance music that might not have naturally gravitated towards it before.  It’s a bit of dance music made from an outsiders point of view and that kind of makes it special.

You mentioned that this album was about “finding your place in dance music.” Why was this important to you and how has it translated to the album. 

We have our unique view on dance music, which comes from being outsiders, never really attached to any scene in particular.  Guess you could say we were part of the trap scene 5 years back but we never felt overly connected to that as a scene or the direction it was moving in.  So this record is us trying to make sense of different groups and tempos, but unifying them as slightly unidentifiable, but clearly tribal feeling.  When we were learning more into the trap stuff, our stuff never felt really dancey to us.  More head boppy or moshy, and at our true core we really realized we just want to make people groove and dance, and have a good time in our own way; so this album was about making that happen. 

Looking back, what were some of your earliest entries into music appreciation? And music production?

We all grew up listening to rap, r&b and a bit of house music so beat making a drum programming and stuff like that has been part of all our lives since we were teenagers; at least subconsciously. Tune came up as a drummer, Greg came up as a turntablist/DJ, and Matisse came up as a classically trained pianist by trade so we all have those respective core backgrounds.  Tune would play in bands as a drummer growing up but also dabble in beat making and eventually pursue audio engineering.  Matisse wrote and sang r&b music, and Greg competed in DMC and ITF DJ battles.  So our teenage lives were already sort of immersed in music to some degree. 

Take us through your list of dream software/gear you would like to get?

We have really most of what we need.  Ableton is a powerful beast and so are all the stock and 3rd party plugins.  We’ve started to amass a bit of a synth collection lately and have been playing with those, and that’s been really fun from a tactile perspective.  They also sound amazing to us, which could be a lot of psychology but who cares; it’s fun and they create a vibe and get us playing around and making ideas, and it’s a nice change from just staring at a screen.  We honestly aren’t that precious about gear.  Just whatever creates fun.  Ableton, some interesting Kontakt banks, and some fun synths are really all we need. 

What do you need with you when you sit down to write or produce?

Just time, free of distractions, to focus and get into a vibe and work.  Our old studio was basically in a huge rehearsal building, so we had metal bands playing above and beside us when we were trying to make music which sucked.  We finally got into a real studio this summer, and as soon as we got in there we were all like “ya we really needed this.” 

What other artistic revenues do you pursue?

Tune mixes records for people a bit on the side.  Greg and Matisse will occasionally take side solo DJ gigs, and Matisse has his “Low Key” project he does on the side which is really more of a passion project.  For the most part, we rely on touring revenue, streaming revenue and sync revenue that we all generate together as KNK.

Studio work and music creation or performing and interacting with a live audience, what do you prefer?

It used to be live performance but more and more it’s becoming studio work.  We’ve really had time to fall back in love with the music-making process and it’s just such an endless deep well of interesting challenges and rewards. 

What has been the most memorable moment of your career so far?

It’s probably slightly different for all of us but we can definitely say that playing Coachella felt like a huge milestone.

Name 3 artists you would love to collaborate with in the future

Aluna, Yebba, Little Simz, Rihanna, Missy to name 5 lol.

Do you think music should provide social commentary and reflect the current world?

It certainly can, but it doesn’t have to.  There’s no requirement that music has to meet to be validated in existence.  Whether you think it’s good or not is another thing, but we’d always argue that songs about light or trivial things are no less relevant as songs about current social issues.  There’s room for everything.  People listen to music at different times and in different contexts for different purposes.  A song being good is independent of what it’s about.  A song may have a great message (in the listeners opinion) but that alone doesn’t make it a good song.  Songs about protest can be great and they can be terrible just like songs about butts can be great and terrible. 

What can we expect from you in the near future? Any upcoming projects or gigs in the pipeline that you would like to tell us about?

We just released an album called “Original Classic” which is really our current perspective on dance music.  You should check it out.  We’re really proud of it and there really isn’t another album out there that we can find that’s like it.  It takes from house music, baile funk, afrobeat, trap, and uses a palette of 808s, tribal percussion and often orchestral textures. 

One last thought to leave your fans with?

Check out our new album and we hope to see ya on the road at a show 🙂

Follow Keys N Krates:
WebsiteFacebookTwitterSoundcloudYoutubeInstagramSpotify

Image credit: Sammy Rawal

Q&A with inspirational rapper Steven Malcolm

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NF, Lucidious, Steven Malcolm
NF, Lucidious, Steven Malcolm

Image credit: Joseph Llanes

Spiritually in-tune music producer and rapper Steven Malcolm endured much hardship growing up. After the loss of his Jamaican father and his mother leaving him to fend for himself in Michigan soon after, the creative turned to music production in order to find an escape. He finds solace in his faith and creating music with substance, that explores the music industry and staying grounded to one’s self. His latest single and video ‘On Point’ featuring KB talks about the story of the underdog and how one should never give up on following their dreams.

We chatted with the inspirational and multi-talented rapper Steven Malcolm below.

Looking back, what were some of your earliest entries into music appreciation? And music production? 

It was around 2009, I remember being in high school and living in a house with a studio in the basement. A few friends of mine started a rap group called Exclusive and it was there where I actually learned to engineer and grew a passion for the craft. I believe I was around 19 or 20 at the time. It honestly was something just for fun, crazy how far it’s gone.

Give us a sense of the music scene where you are based.

Here in Grand Rapids Michigan, the music scene is pretty popping. It’s a very artsy city with a lot of young creatives who love to express themselves. Hip-hop is big here. A lot of tours come to Grand Rapids as well, so that’s always good

What key pieces of software/gear are you using to define your sound? 

ProTools is a must for recording, I love my Apollo thunderbolt interface. And an Airbnb in an inspiring city.

What are some of your key musical influences? 

Bob Marley and Michael Jackson.

What kind of relationship do you have with the internet? How does this inform your artistic expression?

I have a pretty good relationship with the Internet. I’m great on social media, have been since the beginning. It’s just always been a part of what I do as an artist. What messes with me is taking breaks lol, once I take a break I don’t feel like getting back on.

What would you like to achieve with your music? What does success look like to you? 

I honestly feel like I’ve already achieved what I needed to achieve with music. I’m doing what I love as my full-time job, and impacting millions as I go. The success part is still to be gained. To me, success in my career will be to tour the world and sell out venues. I’m working on it day by day.

What has been a memorable highlight of your career so far?

One of the many memorable highlights of my career is getting to perform in front of thousands of people. I did a tour a few years ago called Winter Jam, a 48 city arena tour. Each night tens of thousands of people and top-notch production. It was a dream come true.

If you could work with, or perform alongside any artist of your choice, who would it be? 

Drake… he changes your life LOL. And he’s my favorite artist.

If you weren’t a musician what would you be?

A coffee shop owner in Montego Bay Jamaica, growing Ital food and living stress-free.

What can we expect from you in the near future? Any upcoming projects or gigs in the pipeline that you would like to tell us about? 

I have the best body of work from me thus far coming out in January of 2022!!!! My album release will be crazy, the tour is to follow, along with amazing merch! Then after that, we got the single of the summer dropping with a legendary artist. 

Follow Steven Malcolm:

Facebook / Twitter / Instagram

Hip-hop inspired band Club Noir share song ‘Freak’

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Blackbear, NF, Club Noir
Blackbear, NF, Club Noir

After impressing earlier this summer with their previous release, “Reload”, which received high praise, Club Noir have returned with their captivating new single, “Freak”. With its theatrical and circus-like instrumental, it arrives just in time for Halloween season and will no doubt continue the group’s impressive run.

Club Noir are based in Phoenix and formed by rappers Elijah NX, Alex G and Elijah’s brother, Isus. And, as always with their music, their talent and versatility shine through on “Freak”. Opting for a dark and eerie soundscape, the track commands attention from the opening seconds and maintains it through its addictive melodies and insanely catchy hook.

Lyrically, “Freak” is an ode to individuality and not fitting in, which many will be able to relate to. Expanding further, Club Noir say, “Freak is a song about not fitting into what is considered ‘normal’ categories in society and all the mixed emotions that go along with that. From emotions like ‘I want to please you; I’ll do anything you want me to do’ to ‘forget what society thinks – I’m going to do anything I d*mn well please and be me’ and everything in between.”

Another incredibly impressive track to add to their discography, Club Noir continue to go from strength to strength. And with more singles lined up for release for the coming months, expect to be seeing and hearing a lot more from this immensely talented group.

Follow Club Noir:

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Hip-hop artist Like Mike releases anticipated debut album

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G-Easy, Russ, Like Mike
G-Easy, Russ, Like Mike

Like Mike recently surprised fans with the release announcement of his debut album, Pain, Love, & What Comes After. The album is a collection of songs that were written over the past decade, describing different chapters of Like Mike’s life as an internationally renowned artist touring the globe: the ups, the downs, and everything in between leading up to the moment the world shut down. 

Pain, Love, & What Comes After is a heavy hitting album with features like Smokepurpp, Blueface, Wifisfuneral, and rap superstar Lil Baby. The 15-track body of work flows cohesively between songs, with peaks and valleys that craft a pensive story of pain, love, and everything in between.

Following the release of three singles setting the stage for the album’s ultimate release, ‘One Night with Mr Eazi, ‘W Hotel with renowned rappers Smokepurpp and Blueface and finally ‘Lipstick with S3nsi Molly and Jodi Couture; Like Mike provided ample insight as to what listeners could expect from the album. Available now in-full, the balance of the 12 unreleased tracks see Lil Baby grace the dynamic delivery of ‘Silence’ alongside additional features from Yung Mavu & Chuki Beats on ‘Butterflies’.  

Like Mike’s foray into the hip-hop and rap space signifies a monumental shift in direction for the talented music producer and songwriter. Making a splash with this striking assortment of key collaborators, Like Mike embarks on this path with intention and poise.  “I’m not trying to control life anymore,” Mike explains. “I’m trying to experience it. I’m trying to be present. This album is me being present through so many ups and downs and creating through my experiences.

During a journey that spans over 15 years, Like Mike has achieved a staggering number of career highs and secured #1 singles in a multitude of countries. His 2016 single The Hum went platinum and a collaboration in 2017 with Ne-Yo on Higher Place secured the #1 Billboard Dance position.

This project grew from his need to dig deeper into the sounds of his early years and young adulthood, a blend of genres that were the soundtrack to his life. Like Mike’s younger years were in a period during which he was exploring his musical creativity. Singing and songwriting were the first steps into his musical career. “Music has always guided me through life,” he says. “Any moment can be intensified through music: moods can be changed, stories can be told, feelings become timeless, and memories can be solidified.

Tracklist

Like Mike – Pain, Love, & What Comes After

1. Gratitude 

2. No Service 

3. Silence (feat. Lil Baby)  

4. Not My Enemy 

5. You Lied 

6. Feeling a Vibe 

7. Lipstick (feat. S3nsi Molly & Jodi Couture)

8. W Hotel (feat. Smokepurpp & Blueface) 

9. You Say (feat. Wifisfuneral)

10. Down for Me (feat. Killertunes) 

11. One Night (feat. Mr Eazi)  

12. Butterflies (feat. Yung Mavu & Chuki Beats)

13. Air (feat. Ricky Hil)

14. Tokyo 

15. Wasted

Follow Like Mike:

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Musician Várvara shares mesmerizing beats with new music video

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Shakira, Fergie, Várvara
Shakira, Fergie, Várvara

Announced by national television with the words “2020   is her year”Várvara intends to step up more in  2021,  without forgetting her origins. As a living melting pot between the East and the West, it is a  personal concern of hers to portray the duality of these two cultures in her music and challenge the ideas that exist in today’s world. 

Since she would have loved to have someone to look up to as a child, she decided to be that person herself, and represent the people who come from where she comes from. Growing up in a  Balkan household among other artists, Várvara was exposed to a wide variety of musical styles from an early age. She has retained this openness to this day and has understood that she should not be narrowed down into genres either. 

When Várvara is not working on new songs in the studio, you can find her in front of the camera in roles that challenge her personally and allow her to grow. In  2020 she could be seen on the big screen in the lead role of the award-winning film APART. 

Várvara’s new single CHAMPIONS is about marginalized people who step into the ring, day after day, and relentlessly give their best to win, regardless of whether they choose it or not. Powerful dancehall beats give the energy one needs to be the champion they truly are. Even though inspired by the immigrant community, the song doesn’t exclude anyone – it’s aimed at everyone who needs a team, because without team spirit we won’t get very far. 

Follow Várvara:

Instagram / YouTube

Renowned game Far Cry® 6 receives Afro-Caribbean soundtrack

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Camila Cabello, Natti Natasha, ChocQuibTown , Ubisoft
Camila Cabello, Natti Natasha, ChocQuibTown , Ubisoft

The island of Yara will not be the same after a corrupt president takes unnecessary action against the residents who do not comply with his order in the new game Far Cry® 6 via Ubisoft. The game features the music of composer Pedro Bromfman which takes a neo-classical and Caribbean approach. The Music of Yara LP has been unveiled for this world-renowned game. This soundtrack takes a vibrant approach with reggae, salsa, and Afro-Caribbean notes.

Stream / Download The Music Of Yara LP

Ubisoft Music shared their excitement on socials: “New Far Cry music alert! Listen to our latin-themed playlist featuring the best tracks of the Island. Including exclusive tracks from Porfi Baloa  & Gabylonia  #FarCry6

Subscribe to the Far Cry® 6 Official Playlist

The LP consists of noteworthy Venezuelan musicians Porfi Baloa and Gabylonia who have both had their share of commercial success for their work. The Island of Yara is painted in one colourful picture with this latest offering, showing us the lively and electric atmosphere its inhabitants create when they are free to roam as they please. There is definitely a diverse palette needed for the game’s music, but we are not mad at it.

LP tracks ‘Camino Revolucionario’ & ‘Sueños de Libertad’ feature on the Spotify playlist POP_GROUND.fm

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PREMIERE: Dark electronic music producers sweeep & WTCHCRFT collaborate

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Holy Other, oOoOO,sweeep,WTCHCRFT
Holy Other, oOoOO,sweeep,WTCHCRFT

Image credits: Sweep by Eveline Schuyff / WTCHCRFT by Guarionex Rodriguez

Announcing their collaborative album burning the most beautiful thing I’ve got, set for release on the 8th of September, music producers sweeep and WTCHCRFT have created magic with their new track ‘overlooked’. The album was recorded between Worms studio in Rotterdam and Elektronmusikstudion in Stockholm. We are delighted to see this unique collaboration of influences work together to deliver what we can only imagine being one dynamic forthcoming album release. We can confidently say this after listening to ‘overlooked’ for ourselves and being completely in awe at how mellow yet bass orientated this track is.  Today we are pleased to exclusively share this song with our 80h8 community today. sweeep is a Stockholm born music producer that blurs her sound between bass beats to the more ambient qualities of the electronic music sphere. WTCHCRFT has prior experience in producing hip-hop beats for names likes GBC and Bones, even though he now follows a more industrial sound today. Together this pair create electronic synergy in one sound. 

Enjoy ‘overlooked’ below:

Follow sweeep:

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Follow WTCHCRFT:

Facebook / Twitter / Soundcloud / Spotify

Musician Gozé shares snared up hip-hop beats

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J.Cole, Jay-Z,Gozé
J.Cole, Jay-Z,Gozé

Image credit: Andy Ando

Gozé, is the alias of producer/artist Sebastian Fritze. Hailing from Stockholm, Sweden and currently based in Venice, CA, Gozé is deeply inspired by the melodic hooks and beat-based poetry of 90’s Hip Hop. The project began with a simple concept in mind: to have a new featured artist on every track he releases, ultimately infusing each song with a fresh vibe and keeping the listener on their toes. Fritze is also a member of the acclaimed indie rock band Grizfolk.

His latest single “Wish U Well”, features New York rapper LoftBlue and Los Angeles artist Sakari. The 90s hip-hop inspired tune is rich in poetic production, emitting a cool, laid-back aura. Starting off with an icy intro, the smooth beat and deep bassy burn shifts into an alluring emporium of vocals from Sakari, giving off buckets of class and creating a cool, mellow atmosphere. Gozé divulges, “I get inspired by songs that take you on a journey. I wanted the listener to feel like they start somewhere and end up somewhere else and at that point say ‘wait, is this the same song?’ to then bring them back home again.”

With the intention to create music that brings an essence of nostalgia, whilst being fresh and new, Gozé delivers a surprise with each and every release. He confides, “I love hearing a track and being able to recognize instantly who produced it. The Neptunes, Timbaland, Dr. Dre had such unique sounds that their productions almost became the artist itself. My intentions are to create that with Gozé.”

Over the years, Fritze has performed to sold-out arenas, at venues including Red Rocks and Radio City Music Hall and on shows such as David Letterman, Conan O’Brien and many more. His previous release “Chasing Dreams” features rapper Old Man Saxon and trans activist Shea Diamond and is the official song for Hulu’s Original Documentary, “Changing The Game.”

Follow Gozé:

Facebook / Instagram