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Jairic Drops Ferocious New Single ‘Stick Figaro’ Today

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Jairic / Image Credit: Kristina Stets

Jairic, the Detroit-born producer and performer now calling Cannes home, unleashes his latest cut ‘Stick Figaro’ today, October 10, 2025, complete with a video rollout through Rich Air Music. Raised in a music-saturated family in Michigan, he perfected his craft by producing beats for underground hip-hop acts before carving out his own lane of gritty, self-reliant tracks. His last drop, ‘Don’t Let Me Put A Track On You’, pulled in props from outlets like NOTION, CLASH Magazine, and EARMILK, plus airtime on NPR Music’s radar. Spanning scenes from France to Italy, Prague, and the U.S., Jairic has racked up close to 2 million streams, all from tunes he writes, produces, and plays himself—often tied to visuals that mash upscale polish against street-edge rawness, positioning him as a key player where beats meet screens and style.

Clocking in as a high-voltage hip-hop banger, ‘Stick Figaro’ grabs listeners with its relentless drive, nodding to the punch of Eminem, Machine Gun Kelly, and Macklemore. Trap rhythms pound hard under jagged production layers, framing Jairic‘s commanding flow that shifts gears into a smoother hook midway, then slams shut on a peak of intensity. His bars dig into the rush of a breakneck, defiant existence, weaving in sharper reflections that cut through the noise—drawing from roots in Nas and Wu-Tang Clan, plus echoes of Detroit‘s raw circuits, old-school funk grooves, ’60s guitar riffs, and score-like swells for a sound that defies easy boxes.

Watch ‘Stick Figaro’: HERE

Jairic shared: “‘Stick Figaro’ is built on reversal. At first it feels like I’m the one running, but when the hook comes back you realize I’m the one chasing. That’s the heartbeat of the track—chaos turning into control, the hunted becoming the hunter. It’s raw energy, heavy and unfiltered, but underneath it’s also a mirror—every bar a spark, every line a fire.”

Stream ‘Stick Figaro’:

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Olivia Dean’s ‘The Art of Loving’ Lands with Neo-Soul Precision

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Olivia Dean / Olivia Dean Facebook

Olivia Dean‘s sophomore effort The Art of Loving dropped on September 26, marking a sharp step forward for the East London-raised singer who’s been climbing the UK’s live circuit with her blend of neo-soul and classic pop. A BRIT School alum who cut her teeth as a backing singer for Rudimental, Dean has racked up over 10 million monthly Spotify streams, sold-out European tours, and nods like Amazon Music’s Breakthrough Artist in 2021 and BBC Music Introducing’s Artist of the Year in 2023. She’s shared stages at Glastonbury and Later… with Jools Holland, drawing from influences like Amy Winehouse and Carole King while flipping covers of The Supremes and Nat King Cole. Shortlisted for the Mercury Prize and up for BRIT Awards, Dean channels that groundwork into an album that feels both lived-in and forward-leaning, all while unpacking love’s everyday mechanics.

What stands out on The Art of Loving is its stripped-back setups—think subtle bongos pulled from a Laurel Canyon jam session, a smooth Rhodes organ nodding to Brill Building grooves, and those crisp bah-bah-bahs echoing Motown’s tight harmonies. Drawing from bell hooks‘ All About Love and visual artist Mickalene Thomas‘s glittering take on the same ideas, Dean and co-producer Zach Nahome keep things lean, letting small touches pop: a glassy five-note piano line threading through ‘Nice to Each Other’, or horns doubling up post-chorus on ‘Let Alone the One You Love’. It’s economy in motion, turning potential filler into hooks that stick without overreaching.

Dean’s delivery seals the deal, her voice hitting that mid-ground—not the powerhouse belt of RAYE or Jorja Smith‘s edge, but a steady glow that could coax shade from a streetlight. Tracks like ‘So Easy (To Fall in Love)’ lean into bossa nova swings that match the easy rhythm of a solid first hang, while ‘Man I Need’‘s 12/8 sway turns routine into ritual. Sure, spots like ‘Close Up’ and ‘Baby Steps’ flirt with retro overload, and some lines tangle in familiar turns of phrase, but the whole set works as low-key soundtrack material—ideal for chopping veggies or folding laundry, where its warmth turns the mundane sharp. Dean knows the stagecraft here, staging clips for ‘Nice to Each Other’ and ‘Man I Need’ on obvious sets that wink at old Hollywood illusions, proving she’s got the chops to keep evolving beyond the blueprint.

Olivia Dean / The Art of Loving Artwork

Stream The Art of Loving:

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PLAYY. Music lands as the world’s first social music platform for independent artists

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PLAYY. Music has officially launched! It’s the world’s first social music platform, which was first conceptualized by Director, Warren Morris, more than 10 years ago. PLAYY. Music was crafted specifically for independent artists, record labels and organisations. It offers a sustainable alternative to other platforms which more often than not are highly exploitative.


PLAYY. Music is not another streaming platform, instead it’s a practical, ethical and forward thinking solution that puts the power in the hands of those who create the music. In one unified hub, artists can manage all aspects of their career, from bookings, to live gigs, engaging with fans, streaming, sample sharing, sales, fundraising as well as licensing. It’s never been this simple and convenient for artists to take control of their career and their finances. 

For decades, the music industry has been controlled and monopolised by corporations, gatekeepers and systems which do not serve artists. PLAYY. Music offers a revolutionary system that allows artists to own their brand, voice and business in a transparent and truly authentic manner.

Join the PLAYY. Music movement and sign up today 

Follow PLAYY. : 

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Jairic Unleashes Music Video for Single ‘Don’t Let Me Put A Track On You’

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Jairic / Image Credit: Lucas Merka

Detroit-born and now Cannes-based artist Jairic dropped his latest single ‘Don’t Let Me Put A Track On You’ on September 5th, 2025, through Rich Air Music. Raised in a musical family in Michigan, he started out producing beats for local hip-hop acts before carving out his own style that’s raw, independent, and pulls from diverse influences like Nas, Wu-Tang Clan, Detroit’s underground scene, classic funk, 60s rock, and film scores. With nearly 2 million streams across platforms, Jairic has built a global footprint spanning the U.S., France, Italy, and Prague.

Recent highlights include standout performances at Château Les Alouettes in Cannes and Villa Balbiano on Lake Como, plus a live spot at the Paris premiere of the short film Azur. Every release from him is self-written, self-produced, and self-performed, often tied to visuals that mix luxury vibes with gritty edges, positioning him as a key player where music meets film and fashion.

The video, helmed by Vansh Luthra—an Indian director based in Prague with credits on films like Two Words as the Key and the award-winning Destination Paradise—brings the song’s intensity to life. Shot in moody urban nights with sharp lighting contrasts and a recurring rose symbol, it features Jairic in a sharp suit alongside assistant director Julie Weber as a shadowy presence, building tension through seductive menace and strong on-screen chemistry.

Jairic shared: “The video is built around the symbol of a rose. It moves through a dark, seductive world, exploring power, obsession, and how the hunter can quickly become the hunted. The song itself carries that same energy — a warning, a dare, a promise: don’t let me put a track on you.“

Watch ‘Don’t Let Me Put A Track On You’:

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Q052 Drops Fiery Boom Bap Anthem ‘Loud Sunday’ from Upcoming Album Thunder Child

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Q052 / Image Credit: Jean Philippe Sansfaçon

Today marks the release of Q052‘s latest single ‘Loud Sunday’, hitting streams via the Musique Nomade label. This track is the third peek into his much anticipated album Thunder Child, slated for October 10, 2025. Following the buzz from his prior release ‘Space Invaders’, which snagged props from CLASH Magazine, Q052—real name Quentin Condo—continues to build on his reputation as a Mi’gmaq rapper and activist. The ‘Q‘ nods to his first name, while 052 represents his Indigenous community’s number. He’s a vocal champion for Indigenous rights, zeroing in on youth issues and safeguarding women and girls. 

His accolades stack up too: he nabbed Best Male Hip-Hop Artist at the 2023 International Indigenous Hip-Hop Awards, plus noms like Indigenous Artist of the Year at the 2021 ADISQ Gala, and spots at the 2022 Teweikan Gala for Expressive Music Artist/Group and Blues/Rock Artist/Group. Thunder Child even scored a 2022 GAMIQ nod for Hip-Hop Album. On the live front, Q052 has crushed sets alongside Cypress Hill, hit festivals like FEQ, La Noce, OFF Québec, Innu Nikamu, Festival Kwe!, FME, Festival Bleu Bleu, and Festival en chanson de Petite-Vallée, and he’s a staple on TVA‘s La Tour.

‘Loud Sunday’ dives headfirst into hip-hop’s boom bap roots, blending sub-deep basslines with dark synth layers and a haunting melody that amps up the tension. Q052 draws inspiration from industry heavy-weights like Ty Segall, Immortal Technique, Cypress Hill, Black Sabbath, and Rage Against the Machine, creating a unique blend of hip-hop, grunge, alt rock, and spoken word. His sharp lyrics hit hard on social issues, Indigenous identity, and personal battles

Q052 shared: “This song is about the senseless wars that are going on in the world and how society has become so tolerant of the tyrants destroying humanity.”

Stream ‘Loud Sunday:

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Soni Explores Dreams in Hip-Hop with Latest Track ‘Rich Dreams’

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Soni / Courtesy PR

Memphis rapper Soni put out his new single ‘Rich Dreams‘ on September 22, 2025, adding to his growing presence in hip-hop through experiences that grab you with how close to home they can hit and unrivaled authenticity. He stands out by mixing tight rhymes with melodic genius and charisma that pulls people in, turning his songs into an atmosphere where fun meets more profound thoughts. Coming from Memphis, he’s making his mark as someone who owns his tracks completely, building a name for blending straight-up entertainment with thought provoking hip hop.

The song comes alive with beats full of energy and urban grit, linking Soni‘s flow to old-school roots but hits with a modern edge that’s quite happening in today’s hip-hop scene. He wrote it sporadically but it still plays a significant role in his next album, showcasing his ability to tie daily experiences to his charged-up flows. The mental image of a late 90’s – early 2000’s hip hop music video pops up clearly in the mind’s eye when you listen to this release. Think: Slow motion B-roll, dollar bills reigning down, slick shades and maybe a lowrider down Venice Beach- truly Rich Dreams. It fits right in for people who follow :Hanumankind, Denzel Curry, and Kenny Mason, drawing you close with the beat, charisma and commanding melody that’s easy to approach, but upon a closer listen, you find something deeper.

Soni shared: “To me, Rich Dreams is an anti ‘money fixes all your problems’ song. It’s the idealistic version of life that paints a picture of all the things that make it so unrealistic. In the song, you probably wouldn’t be able to tell that I struggled with confidence, feeling burdensome, or with overcoming times where I’ve felt slighted by people I’ve trusted. But I assume that’s why they call it a dream in the first place.” With this track, Soni shows what he can do, creating hip-hop that stays with you. His album’s coming up, and he’s ready to reach way past Memphis.

Stream ‘Rich Dreams’:

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HAZL Unleashes Music Video for Detroit R&B single ‘Like That’

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HAZL / Image Credit: @sachvisuals

On September 8th, HAZL debuted the music video for ‘Like That’, in celebration of his first release of 2025. The West London-based artist draws from Detroit R&B roots, blending Motown foundations with UK edge that delivers on his signature sound of slick wordplay and smooth vocals. Known for centering Black experiences, HAZL crafts music that uplifts Black communities, marking this as a key project in his catalog where he handles writing, directing, and production. 

Collaborators include videographer MORELIFELONDON, choreographer Alisha ‘Reckless’ Vilhete, model Botshelo ‘Bee’ Nkolobe, and photographer Sach Visuals, bringing a team of UK talents who’ve worked with major names.

The track pulses with energetic Detroit R&B drive, featuring HAZL‘s signature passionate vocals and sharp lyricism. He pours out devotion to a woman who’s simply ‘like that’, mixing romance and sensuality through clever wordplay. Botshelo is surrounded by opulence; from the golden hues of the set to being fed fruit like the classic depictions of peak ancient royalty. The video brings this to life amid French Baroque decor, extravagant trim, luxury brands, and poured wine emphasizing the effortless grace of Black women. The chemistry between HAZL and Botshelo is convincingly sultry and electric- which is extremely refreshing in times where performative acting and virtue signalling flood the modern music industry. 

HAZL had this to say: “I know what you like, what you deserve and what you expect and I will provide it without you even needing to ask. Your favourite food, your favourite wine, clothes, bags, jewellery and how you like to be touched. Whenever, wherever. I am at your beck and call.”

Watch ‘Like That’:

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Jairic Drops Hip-Hop Single ‘Don’t Let Me Put A Track On You’ Today

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Jairic / Image Credit: Lukas Merka

Jairic, the Detroit-born musician, producer, and storyteller now based in Cannes, France, releases his new single ‘Don’t Let Me Put A Track On You’ today, August 29, 2025, through Rich Air Music. He grew up in a musical family in Michigan and kicked off his career making hip-hop beats for local artists. Then he developed his own raw, independent style. His sound draws from legends like Nas and Wu-Tang Clan, along with Detroit’s underground scene, classic funk, 60s rock, and film scores. That mix creates sharp lyrics over fresh production. He’s worked across France, Italy, Prague, and the U.S., pulling in nearly 2 million streams. And he handles everything himself, from writing to performing. Lately, he’s played exclusive sets at Château Les Alouettes in Cannes and Villa Balbiano on Lake Como. He also performed live at the Paris premiere of the short film Azur. These moves put him right at the crossroads of music, film, and fashion.

This hip-hop track hits hard with Jairic’s bold, quick rhymes and detailed sound work that pulls you in right away. It starts with a tense intro, building up to intense sections that reflect his gritty background and push genre limits. The bridge slows things down with warm female vocals for some balance, before jumping back into full hip-hop mode.

Jairic shared: “This one was written in the south of France. Underneath the whole thing there’s this Caribbean pulse as well, smooth, hypnotic, at times chaotic, but the lyrics carry a different weight: don’t run up on me. It’s got that contrast I love, sunlit on the surface, with a sharp edge underneath.“

Stream ‘Don’t Let Me Put A Track On You’:

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Doller Unleashes Traphall Heat with New Single ‘WHO HYPE? WHO BRUK?’

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Doller / Image Credit: Shot By Corz

North London’s own Doller drops his fresh Traphall single ‘WHO HYPE? WHO BRUK?’ today, September 5, 2025, through the Beyond Dis World label. Born Dorante Johnson, Doller grew up soaked in music from his roots reggae dad Kush Tafari and dancehall uncle Flash, kicking off with DIY mixtapes and local clashes before starting the crew Cold Blooded. He leveled up joining The Movement, nailing a big Westwood freestyle and catching spins from top DJs.

Doller’s built his rep with collabs alongside Sir Spyro and Tion Wayne, running his own label Go Getters and even a food-focused YouTube show. He’s earned props from outlets like NOTION, Wordplay Magazine, and GRM Daily, popped up in MTV Base ads, and had his tune ‘Skadoosh’ soundtrack the movie Sket. On the road, he’s toured spots like Dortmund with Jamaican reggae artist Cblock, headlined Hackney Social’s Wynters Wonder List, and joined the Sing for Me Tour with grime heavyweight Ghetts. His tracks get steady love on BBC Radio 1Xtra from selectors like DJ Target, Sian Anderson, and Seani B, with ‘This Year’ grabbing BBC Track of the Week in 2021, locking his spot in UK dancehall, trap, and grime circles. 

Drawing from icons like Vybz Kartel, 50 Cent, Jay Z, Nas, Biggie, Durtty Doogz, and Jodeci, Doller flexes versatility across rap and R&B too, seen in cuts like ‘Money Song’.

The track packs a dark, moody beat with off-kilter drum patterns backing Doller’s sharp, unyielding bars. His smooth, effortless rhymes hit hard, laced with hooky back-and-forth hooks that turn it into a straight-up bold statement piece.

Doller shared: “I wanted everybody in the world to feel comfortable with their financial status and have an anthem to celebrate that.”

Stream ‘WHO HYPE? WHO BRUK?’:

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Tyla Returns with ‘WWP EP’ with a Wizkid Feature That Hits Hard

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Tyla / Tyla Facebook

South African artist Tyla dropped her latest project, the WWP EP, on July 25, 2025, and it’s already making noise. This four-track release is a tight showcase of her growth, taking the club-ready pulse of her self-titled debut and spinning it into something broader and bolder. Hailing from South Africa, Tyla has been carving out her space in the global scene, blending Afrobeats, pop, and R&B with a finesse that’s earned her a solid following. Fresh off homecoming shows that lit up her home turf, she’s now got her sights on gigs at All Points East in London on August 23 and the Global Citizen Festival in New York this September.

The EP packs in two earlier singles, ‘IS IT’ and ‘BLISS’, which bring that instant, hook-heavy energy her fans already vibe with. But the real heat comes from the new track ‘DYNAMITE’, a collab with Nigerian heavyweight Wizkid. Produced by P. Priime—the guy behind Wizkid’s game-changing Made In Lagos—this one’s got a late-night edge, weaving Spanish guitar riffs into a bedrock of Afrobeats percussion that keeps it moving. It’s a slick, moody cut that shows Tyla can hold her own alongside a giant like Wizkid.

Tyla’s previous album ‘Tyla’ showcased a broad spectrum of styles and vocal agility, whereas ‘WWP’ embraces a more compact, intentional design. Her voice shines as she effortlessly spans her full range, though the EP’s shorter length occasionally makes it feel less impactful. Even so, these four infectious tracks carve out a vibrant space for women to dance and revel in their confidence.

Stream WWP EP:

Follow Tyla:

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