YouTube is one of the most influential platforms in modern media, but its origin story is surprisingly simple: a small team wanted an easier way to share video online. In the early 2000s, uploading and sending video files was slow, formats were inconsistent, and most websites weren’t built for smooth playback. YouTube’s founders focused on removing those barriers—making video sharing as easy as sending a link.
Who Founded YouTube?
YouTube was founded by three former PayPal employees: Chad Hurley, Steve Chen, and Jawed Karim. They combined product thinking, engineering skills, and a clear user goal: create a website where anyone could upload a video and watch it instantly in a browser.
Chad Hurley — product/design focus and early CEO role
Steve Chen — engineering and infrastructure
Jawed Karim — engineering and early concept support
The Problem YouTube Solved
At the time, sharing video often meant emailing huge files or dealing with complicated players and downloads. YouTube made video:
Uploadable by non-experts (simple interface)
Streamable in the browser (no special setup)
Sharable through links and embedding on other sites
Early Growth and the First Video
YouTube launched publicly in 2005. One of the most famous early moments was the first uploaded video, “Me at the zoo,” featuring co-founder Jawed Karim. The clip was short and casual—exactly the kind of everyday content that proved the platform’s big idea: ordinary people could publish video without needing a studio.
Key Milestones Timeline
Year/Date Milestone Why It Mattered
2005 YouTube is founded and launches Introduced easy browser-based video sharing
2005 “Me at the zoo” is uploaded Became a symbol of user-generated video culture
2006 Google acquires YouTube Provided resources to scale hosting and global reach
Why Google Bought YouTube
By 2006, YouTube’s traffic was exploding. Video hosting is expensive—bandwidth and storage costs rise fast when millions of people watch content daily. Google’s acquisition gave YouTube the infrastructure and advertising ecosystem to grow into a sustainable business.
What YouTube’s Founding Changed
YouTube didn’t just create a popular website; it reshaped how people learn, entertain themselves, and build careers online. Its founding helped accelerate:
Creator-driven media and influencer culture
How-to education and free tutorials at massive scale
Music discovery, commentary, and global community trends
From a small startup idea to a global video powerhouse, YouTube’s founding is a classic example of a simple product solving a real problem—and changing the internet in the process.
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Equity and representation issues stand out sharply in the music business according to fresh data released March 17. UK Music‘s report shows that despite massive contributions from Black creators, support structures have not matched their influence. Only 22 percent of senior roles go to Black, Asian or minority ethnic workers. Black professionals point to persistent unfairness in contracts, pay, funding access and general backing within the sector.
Titled Black Music Means Business: Driving Economic Growth In The UK, the document marks Europe’s first major calculation of Black recorded music’s footprint between 1994 and 2023. It reveals these artists delivered 80 percent of all UK music revenue during the period – a total of £24.5 billion from an industry pot of £30 billion. The findings frame Black music as a central force in the UK’s commercial music landscape over those 30 years.
Tom Kiehl, Chief Executive of UK Music, explained: “UK Music wants this report to not only be a point of reference but also a basis for facilitating change and positive action through its recommendations.” Ammo Talwar MBE, Chair of the UK Music Diversity Taskforce, had this to say: “The report should give us great optimism for the future of Black British music. However, this phenomenal cultural force must be nurtured. The aim of the report is to act as an advocacy tool and rallying cry, that is a catalyst for ongoing analysis, growth, increased representation, equity and stronger collaboration, thereby building confidence in Black music.“
While Lizzo lines up a September children’s book about a girl bonding with a flute and steps into the Sister Rosetta Tharpe role for a biopic she is co-producing with Forest Whitaker, she has also dropped her first 2026 release. ‘Don’t Make Me Love U’ arrives with its music video already out, coming after the 2023 album Special and the lawsuit that followed from former staff citing sexual harassment and a difficult work environment. In 2025, she released ‘Love in Real Life’ and ‘Still Down Bad’, setting up the still-unscheduled Love in Real Life album.
The video brings Lizzo face-to-face with the version of herself from the Cuz I Love You era. Tension builds as present-day Lizzo, with blonde hair, stares down her past self. The meeting acts as a bridge between eras, placing past and present in the same frame so the song carries the weight of time without losing its message of embracing the past to move forward. Its emotional core and Lizzo’s ability to explore her authenticity through music are exactly what we’d expect from this release.
This single shows Lizzo treating her career as one continuous project that stretches across formats. The music keeps moving forward as the film and book sides expand, building toward whatever comes next on the announced album. The combination is a natural extension of how she has always worked, keeping listeners tuned in across every lane she occupies.
As a defining presence in hip-hop whose selective live dates always create buzz, Jay-Z has lined up two Yankee Stadium appearances this July focused on key albums from his catalog. The back-to-back shows fall on July 10 for Reasonable Doubt and July 11 for The Blueprint. Roc Nation confirmed the details shortly after mentioning his planned Reasonable Doubt set for the 2026 Roots Picnic.
His activity on stage has been measured lately, with contributions to the Super Bowl LIX halftime performance that received an Emmy nomination and a guest appearance during the 2025 Cowboy Carter tour in Paris standing out. He also performed at Tom Brady’s 2024 Hall of Fame induction and took part in the 2023 Grammys. That pace follows his last solo tour in 2017 and the co-headlining OTR II dates with Beyoncé in 2018. These elements highlight how Jay-Z spaces out full performances while maintaining impact through targeted appearances.
The Yankee Stadium run will center on the distinct approaches found across those two projects, letting the audience experience the interplay of his flows and the beats that marked those periods firsthand. Given the gaps in his touring history, the opportunity to hear this material presented in full at a major hometown venue feels significant for the genre. It ties into broader interest in full-album live sets and positions the nights as highlights for fans invested in hip-hop’s foundational artists. With the shows still ahead, they represent a chance to engage directly with the roots of Jay-Z’s enduring influence this summer.
Jack Harlow dropped his fourth album, Monica, this past weekend, and it’s a surprising change from what fans might expect. Harlow, who started out as a viral hip-hop artist and later became a pop-rap star, was known for his polished beats and confident lyrics. But on Monica, which he recorded at Electric Lady Studios in New York City, he leaves that style behind. The nine songs swap out the usual swagger for softer, live instruments and lyrics that feel more honest.
The change is clear right from the first track, ‘Trade Places.’ The upbeat, catchy beats from songs like “First Class” are gone. Instead, Harlow sings over live drums and jazz-inspired sounds that feel more thoughtful. ‘Lonesome‘ explores what it costs to put yourself first instead of relationships, and ‘My Winter’ uses the seasons to show feelings of restlessness, with Ravyn Lenae’s vocals adding emotion. The highlight is ‘Against The Grain,‘ where Harlow talks about the pressure of keeping up appearances, ending with a real conversation between his parents that grounds the album.
When ‘Say Hello’ wraps up the album with Robert Glasper on piano, it’s obvious that Harlow is working through adulthood, loss, and personal growth in a way he hasn’t before. Longtime fans will probably see this as a positive step forward.
Brooklyn-born artist D’Chrome Foster is making waves in hip-hop and R&B with his new single ‘Rain’ set for release in 2026. Born Serge R. Thony, he got his start in New York’s battle scene, trading verses at The Pyramid’s “End of the Weak” nights on the Lower East Side. That raw energy now mixes with acting skills he picked up at Esper Studios and during his MFA at Rutgers University’s Mason Gross School of the Arts. He’s appeared off-Broadway in shows like Ethel Sings, In Bed with Roy Cohn, and Kansas City Swing, earning praise from The New York Times, which called him “young, cocky and ready to take over the world.” You can still hear the influence of Harry Belafonte and Michael Jackson in the way he delivers every line.
On ‘Rain,’ Foster glides effortlessly between silky melodies and crisp, rhythmic flows. The track weaves R&B’s inviting warmth, pop’s glossy sheen, and hip-hop’s swagger into a groove that feels authentic and lived-in. Like his previous single ‘Pack Yo Bagz,’ it drives forward with momentum, but this time Foster adds emotional clarity that makes every hook linger. Playful yet sincere, the song offers a jolt of energy with a crisp flow and an air of authentic 90’s hip hop charisma. Foster’s stage experience shows in how he handles the mic, making ‘Rain’ feel like a powerful mini-performance. Mixing classic soul style with modern confidence, he gives the song a unique feel while still tipping his hat to artists like Bruno Mars, Chris Brown, and Kanye West. With each new release, he gets better at balancing openness and control, showing he’s one of the most promising new voices out there.
Jairic, the renegade Detroit-born, Cannes-based musician, producer, and storyteller, has carved out a singular lane in experimental hip-hop with raw, self-produced tracks that fuse lyrical intensity, cinematic production, and genre-defying energy drawn from Nas, Wu-Tang Clan, Detroit’s underground, classic funk, 60s rock, and film scores. His latest EP, n=40, released December 5, 2025, and led by the explosive focus single ‘Yolo 2 Yoga’, has already earned strong support from Wonderland Magazine, NOTION, CLASH Magazine, EARMILK, and NPR Music, while pushing his total streams toward 2 million. Known for high-impact exclusive performances at Château Les Alouettes in Cannes, Villa Balbiano on Lake Como, and a featured live appearance at the Paris premiere of the short film Azur, Jairic crafts fully independent releases paired with cinematic visuals that marry modern luxury and underground grit.
In this exclusive interview, Jairic dives deep into the making of n=40, the personal war it channels, and what’s next for his unrelenting creative vision.
You grew up in a musical family in Detroit. Can you share an early memory that made you want to make your own music? Every family party meant live music at some point. Someone would grab a guitar, someone else would sing, and the whole room would shift. I remember the energy — people smiling, laughing, leaning in. Music wasn’t background noise. It was the center of gravity. I saw how it brought people together, and I knew early on I wanted to create that kind of feeling myself.
How did moving from Detroit’s underground scene to living in Cannes change your music and the way you think about it? When you step outside your comfort zone, you grow. Detroit gave me grit. Europe gave me space. Living in Cannes, traveling, performing overseas — it gave me a level of freedom I hadn’t felt before. Freedom to experiment, to take risks, to be fully myself without overthinking it. That shift shows up in the music.
You’ve mentioned Nas, Wu-Tang Clan, classic funk, 60s rock, and film scores as influences. How do you choose which parts of those styles to use in your songs?
I produce from experience first — love, loss, joy, pain, observation. Life drives the music. The artists and genres mentioned gave me an education in how to translate emotion into sound. But the foundation is always real life.
Which music or artists have inspired you most over the past year while you were working on n=40?
Honestly? My family. My kids. Watching them learn the world, take risks, fall down, get back up. That perspective changes everything. It makes you want to be sharper. Better. More present.
n=40 seems like your most focused project so far. What did you want this EP to say that you hadn’t shared in your earlier work? Let’s f***ing go.
That’s really the energy. n=40 is mid-war, not midlife. It’s about not slowing down. Not fading out. It’s controlled aggression. Discipline. Belief. It’s the sound of someone who refuses to coast.
‘Yolo 2 Yoga’ stands out as the bold centerpiece of the EP. What personal experiences or realizations inspired the lyrics and that powerful energy? I was wild in my younger years. About eleven years ago, I got really sick — nearly died. It was one of the hardest things my wife and family ever went through.
But there was growth in it.
I took that extreme low and turned it into fuel. It slingshotted me. Now I operate with enthusiasm, gratitude, and drive. “Yolo 2 Yoga” is that transformation — chaos refined into clarity.
The visuals for the n=40singles, especially the ‘Yolo 2 Yoga’ video directed by Vansh Luthra, are strikingly cinematic – can you take us behind the scenes on the locations, the concept of visiting past versions of yourself, and what it was like performing in those settings? Working with Vansh was a masterclass. He had a clear vision, and we locked in on it together. I wasn’t emotional on set — I was focused because I wanted to do the record justice.
Performing on the beach in southern France was surreal. Hundreds of beachgoers watching, taking selfies, sharing energy. It was raw and cinematic at the same time — which is exactly what the song is.
Krono is remixing one of your tracks soon. How did you start working together, and what made you want to add an EDM style to your music? Krono is super dope. We connected through management. I’ve always genuinely loved EDM — I’ve been to some incredible shows across the world with a close friend of mine, and that energy is unmatched.
Their remix took the record somewhere unexpected. It unlocked a different emotional layer in the song. It’s not just louder — it’s deeper in a different way. I’m excited for people to hear that version.
You’ve called n=40 “mid-war” instead of midlife. What personal or creative struggles does this project deal with, and how does it feel to share that intensity with everyone? You have to keep fighting. Keep believing in yourself. Keep showing up for your people. That’s the war.
It’s not always loud. Sometimes it’s internal. Discipline. Faith. Persistence. Relentless enthusiasm for what you’re building.
I’m humbled to share that intensity. The reception so far has meant a lot.
As you look ahead to the rest of 2026, what can fans look forward to? Will there be new music, more videos, live shows, or anything else you’re planning?
Everything.
A full-length album titled L’Americain drops this year. We’re filming heavily — cinematic visuals, global locations. There’s another n=40 remix coming with a major EDM artist. And we’re planning a European tour.
![Jairic Talks “Mid-War, Not Midlife” Mindset and Refusing to Slow Down on n=40 [Interview]](https://8oh8.net/wp-content/uploads/2025/11/0L9A0944-e1763629588650-768x849.jpg "Jairic Talks “Mid-War, Not Midlife” Mindset and Refusing to Slow Down on n=40 [Interview]")